Responsibilities, and other poems by W. B. Yeats

(2 User reviews)   548
By Anastasia Zhang Posted on May 6, 2026
In Category - Celebrated
Yeats, W. B. (William Butler), 1865-1939 Yeats, W. B. (William Butler), 1865-1939
English
Ever feel like you’re stuck in the middle of two worlds—the one you grew up in, and the one you’re supposed to fit into? That’s exactly what W.B. Yeats wrestles with in this collection of poems, which he called *Responsibilities*. First published in 1914, the book feels like a personal battle report from someone who’s not sure who to be loyal to anymore. Yeats was getting sideways glances from the younger generation—and getting tired of the way the old guard did things. At the same time, his own country was figuring out how to break free. The poems aren’t all gruff attitude, though. Mixed into this emotional mess are love poems and land-based laments that ask one giant question: Can we be true to both our past and the future we want? No spoilers, but the answer involves haunted gardens, one ugly political brawl in the government, and a deep-down ache for something beautiful that lasts past the fighting. For casual fans of the old Irish mystic Yeats, *Responsibilities* might surprise you—it’s rougher by half. If you pick it up, prepare for a quiet, worried friend to feel exactly what you do: weighted between who you are and what the world wants you to be.
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The Story

This book doesn’t tell a neat plot with heroes and bad guys. It’s more like a situation unfolds through 21 poems and one long “note.” The central conflict? William Butler Yeats, old enough to remember hope, new enough to dread the future—he’s worried the world of beauty and art is being shoved out by greed, small politics, and nationalism that feels like anger at everything Irish. The poems circle family duties, aging vs staying strong, love in broken houses. One famous poem, ‘September 1913,’ pounds the dead drum of a lost Ireland that died ‘too young.’ Others hold up work as the way to push back—so there’s demand in lines for careful words, careful hands, clean thought. The whole book clicks when he whispers that you gotta take leaps, raise fences ‘round the soul, maybe even write your own to honor your people before they go cold forever.

Why You Should Read It

Here’s the personal best part: This collection makes you feel less alone in the sticky middle. Yeats isn’t spouting confidence—he’s owning doubt. Politics? Yes. Patriotism? Strained. But alive still. The version that stuns me is ‘A Coat’ (nickname poem), turning sewing into soul-language. He says he wants his ‘embroideries’ gone and to toss them aside. Isn’t that refreshing? Annoyed enough to shred what *others* expect is a feeling anybody fighting tradition in small friend groups knows. The musher love poems catch a slice too: family love old, love silent but on point. I dig ‘Pardon, Old Fathers’ where inheritance weighs same as suitcases gone missing for creativity—humming, hurt, asking forgiveness. Toughest theme? Right before WWI poets gets cheap reputation, Yeats says we can say softer darkness is brave still. Worth three a.m annotations.

Final Verdict

If you enjoy clear writing hitting brick strong in your chest, yes yes. I recommend it louder especially every emerging human: new graduates turned uncertain; writers stuck balancing day demands vs. words someone lifts: yes; lovers self-archive feeling. Final pin: “I no more have since changed beneath the moon / Than the frail childhood these reflections him prepare.”—if that knocks yours sideways, *Responsibilities* brooks on welcoming as that haunted houseful evening shelter unknown perfect gift someone needs pulling around their library’s spine. Its gift hurts honest, if we come too near.



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6 months ago

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2 years ago

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